the lyrics of the song as i can tell does not have any relevance to the film so i dont know what to wright about that. imedeiantly after he has finished talking a slow music at the beggins as the camera goes over some shots of the near by sea finishing with him. ![]() as the charactor is revealed to the camera he begins to the camera. at the begging of the clip there is the slight sound of the sea as it gets sronger as the clip goes on this imediantly tells you that he obiously is near the sea. the props in the room are placed to represent a average teen boys room making it obvious of the gender and the personality of the boy before he has been introduced the faciol expression of the boy is just flat, ordinary facial exprssion this could mean the he finds his life boring. the lighting in this scene is a darker bleak colour as they are all set at sunset. ![]() the scene has a brief few seconds as in the bedroom of the main character of the film. this shows that is a simple and easy to follow. between the camera and the cast / credits has quick jump cuts as does the camera when the scenes are changed. this scene ahs been edited to be merged with the begging credits to also make the reveal of the charactor delay. the camera shots and angles at the begging of the film are used to slowly revela the charactors as the camera moves across the room. Ayoade’s film is an instant classic.This scene of this film is used to set the rest of the film giving a narrative description talking first person to the camera. Perhaps the only true pitfall is the film’s short length, for these are characters that one wishes to spend a little bit more time with. Shades of Harold & Maude pervade this darkly comic drama, and there are certainly parallels to be had with Wes Anderson’s earlier films and in particular Rushmore, although Submarine comes with a style all of its own. It is as though the collective film knowledge of a generation of mid-30s film buffs has been Quantum Leaped back into the body of a teenage boy, in an attempt to understand the pains and labours of young love. Oliver’s filtered “Super 8mm” memories exaggerate everything, signalling some influence from the earlier works of Woody Allen (his picture graces Oliver’s wall), and in particular the flashback sequences in Annie Hall. Seasoned actors like Considine get to have a bit of fun with their caricatures, but the performances from all of the young leads are amazing, bringing an authenticity to the young characters that other high-school dramas can only dream of. It is completely self-conscious in its own cleverness, but this is the character of Oliver as well, a boy who reads the dictionary every day and drops the words he likes casually into conversations. Submarine is a pitch-perfect “coming of age” story, told through the pretentious adult voice of Roberts, although much of Ayoade’s and Dunthorne’s voice is undoubtedly there. Perhaps what is most surprising is that Ayaode’s characters, from Darkplace through The IT Crowd, have been socially awkward in some way, and with Submarine a voice is given to some of those characters, filtered through the eyes of a young adult with an old soul. British cinema has had its share of stunning debuts over the last few years, including star Considine’s own Tyrannosaur, and we really shouldn’t be shocked at the sheer brilliance of British comedy anymore. ![]() His depressed father (Noah Taylor, Red Dog) and frustrated mother (the ubiquitous Sally Hawkins, Never Let Me Go) experience further problems with the arrival of her ex-boyfriend, a new-age guru (Paddy Considine, Le Donk & Scor-zay-zee).Īyoade makes a stunning debut with Submarine, confidently announcing his presence on the cinematic scene. Set during the 1980s in Swansea, the deluded 15-year-old Oliver Tate (Craig Roberts, Jane Eyre) falls for classmate Jordana (Yasmin Paige, The Sarah Jane Adventures) amidst a sea of troubles at home. This love is evident in his debut feature directorial effort, an adaptation of the novel of the same name by Joe Dunthorne. Yet as readers of his monthly Total Filmcolumns will know, Ayoade is a lover of film and understands its construction on a cellular level. Watch popular content from the following creators: ( )(mypiaylist), Ally(alexsfireside), smthguluv(smthguluv), Nassdat(nassdat), hi(gerardpittsfanacc). Submarine‘s writer and director Richard Ayoade is perhaps best known for his role as Moss in The IT Crowd, along with his appearances in cult comedies The Mighty Boosh and Garth Marenghi’s Darkplace. Discover short videos related to submarine 2010 on TikTok. Starring: Craig Roberts, Yasmin Paige, Sally Hawkins, Paddy Considine, Noah Taylor
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